After a very big delay (due to covid and moving and homeschooling and lots of other general life stuff!) we are very pleased to be opening our prop section this week, tomorrow in fact!

Alongside providing props for my styling and photography clients I have been trusted to source props for several cookbooks this year including The Pie Room by Calum Franklin, Ekstedt by Niklas Ekstedt and the MasterChef cookbook. 

It feels so good to be finally bringing this part of my work into the BVS offering here!

Being a food and prop stylist myself you will find all of our props perfect for food, product and still life photography, following my prop rules they are -

1. not too big

2. not too shiny

3. not too grabby

I'm so thrilled to announce our first ever challenge, open to everyone in the creative community via Instagram, and co-hosted by Clementine @clemfoodie!

About this new challenge

#BVSinspired is a new seasonal styling challenge ran through Instagram, created by Sophie in collaboration with food creatives and experts and open for all to enter for a chance for one winner to take home £100 in BVS vouchers and a runner up to receive a £25 voucher.

Through sharing techniques and ideas we hope to support and inspire our community in developing new styling and photography skills while celebrating the seasons and building a deeper connection with nature.

Because you might be thinking ‘what the heck is an infinity curve?’ lets’ start with that…

In short, an infinity curve (or cove, or scoop) is created by using a single surface to create the floor and wall of your set, in a fluid curve.  Infinity curves are often permanent fixtures, built and painted in large studios for fashion, interiors and car photography, but they can be used to equally good effect for still life and product photography on a smaller scale, using curved paper, card or canvas as a temporary set up.

Infinity curves create a minimal, stylised, sometimes ethereal look.  They are best suited to straight-up product photography rather than lifestyle briefs that normally require a more natural look; sets that convey home life. 

British asparagus season is only a short one lasting just a few weeks in late April and May, sometimes edging into June, so you've gotta be ready with some tasty recipes up your sleeve.  Especially as it deteriorates pretty quickly after picking - another reason British asparagus will arrive on your table fresher and tastier than what you can import from else where. 

We all know the classics - asparagus and hollandaise is a firm favourite or simply steamed and dipped in butter and sea salt can be scoffed very frantically. But what about when you want to make more of a meal of it?

These are three of my favourite ways to enjoy asparagus as a spring starter or main meal.  I can't help but include an egg dish - i just love eggs of any kind, a creamy puff pastry tart is always a good way to get my kids to enjoy different flavours and the scallop dish, well it's just divine and works as a starter or main if you add some buttery boiled potatoes or a green salad.

Now is the time to enjoy wild garlic and this year I wanted to do more with it than pesto!  Apparently you can pickle the flowers which will be my next way to enjoy them, but here I'm showing you how to make wild garlic and cheddar soup AND four different ways to style it.

If you like broccoli and stilton soup - and garlic - I'm sure you will love this recipe!  The punchy wild garlic is met by the strong cheese and softened with cream and chicken stock (or veggie stock if you prefer to skip the meat element and make this a vegetarian recipe).  As always I class this as a lazy, tasty and pretty recipe.

I'm showing you so many different ways to compose a shot for this soup recipe as I have used it as an example in my Styling & Composition course  and thought I'd share some of them here.  I hope you find the ideas and compositions useful - there are many more styling tips and tricks in my courses if you want to check them out!

I don't know about you but I struggle with cake styling.  I think its because I don't like triangles, and I also hate that look when you cut out a piece of cake and when you take it away from the rest of the cake you're left with a pacman face.  I just can't stop looking at it in a cake shot, it's all I can see!

SO.  I decided to set myself a challenge of shooting a cake overhead.  I'm avoiding the pacman issue by only shooting it whole and then divided in pieces and repeated, without the rest of the cake in the shot.  I'm looking to some of my instagram faves for inspo and pushing myself to do a light, colourful and dark version for each set up.

Here's what I created, why I did what I did and how I feel about each image!  Please do comment your feedback below and let me know what cake styling challenges you face or how you've overcome them in your own food photography :)

I went to a middle eastern wine tasting recently and enjoyed some beautiful spiced beef and egg plant (or aubergine!) and I just couldn't get the flavour out of my head. You know, when you're thinking about what you ate somewhere days later?!  

So I just had to look for a recipe for what I guessed was a Lebanese dish, and I searched 'beef and eggplant' on ckbk and this absolute belter came up from the cookbook, 'Classic Lebanese Cuisine' (more details at the end of this post!).  

So, here are 8 styling ideas & ways to decorate this Christmas